Preah Khan’s architecture is intricately decorated, especially the outer wall, which is adorned with five-meter-tall Garudas that are frozen in battle with fighting Naga snakes. A moat surrounds this outer wall. There are four gates that allow entry into the temple complex, and each has a causeway over the moat. The main entrance is the eastern one, where there are the ruins of a small landing stage for boats, and two lions standing guard. This pier lies on the western bank of the Jayatataka Baray. From here, the King would depart by boat to the Neak Pean temple at the center of the reservoir. On the north side of the complex is a House of Fire, which was created in a style similar to the houses of the same name located at Ta Prohm and Banteay Chhmar. Historians speculate that these houses probably functioned as rest houses with fireplaces for travellers. The complex consists of four enclosures. Long ago, wooden houses of servants and villagers could be found along the edge of the fourth enclosure, or the outer wall.Also similar to Ta Prohm and Banteay Kdei, Preah Khan has a stunning and majestic Hall of Dancers. This is within the third enclosure and located just beyond the Gopura of the east entrance. Just above the entrance doors are beautiful and meticulously carved Devatas. The second enclosure has only a narrow gap between it and the first, and it contains six sanctuary buildings on the eastern side of the temple. The first enclosure, also called the inner sanctuary, is the most sacred part of the temple. Buddha images cover the walls, and small chapels line the small space, as do tombs.
#Website: Asia Explorer Travel
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